The world of theater is abuzz with the news that Jesse Tyler Ferguson, a familiar face from the hit TV show Modern Family, is set to reprise his stage role as Truman Capote in a London run of Jay Presson Allen’s Tru. This marks a significant moment for the actor, who is no stranger to the stage, but it also raises intriguing questions about the nature of performance and the relationship between the artist and their art.
A Captivating Character Study
What makes this production particularly fascinating is the intimate and personal nature of the play Tru. Set in Capote’s New York City apartment in 1975, the play is a monodrama that delves into the writer’s life and career, particularly in the wake of the publication of an excerpt from his unfinished roman à clef, Answered Prayers. The character of Capote is portrayed as a man grappling with his own fame, success, and the personal demons that come with it. This portrayal is a testament to the skill and versatility of Jesse Tyler Ferguson, who has previously won a Tony for his role in the Broadway revival of Take Me Out.
A Collaborative Effort
The collaboration between Ferguson and director Rob Ashford is a key aspect of this production. They worked together on the project in March at the House of the Redeemer’s Library, and their partnership has been described as a “great pairing of actor and character.” This collaboration is a fascinating insight into the creative process, and it will be interesting to see how their shared vision translates onto the London stage.
A Familiar Face in London
Jesse Tyler Ferguson is no stranger to London theater, and his presence in the city is a testament to the global appeal of the performing arts. He is currently guest starring as King Herod in Jesus Christ Superstar at the Palladium, and has previously appeared in Stephen Sondheim’s Here We Are at the National Theatre. This familiarity with the London stage will no doubt add a layer of depth to his performance as Capote.
A Director’s Vision
Rob Ashford, a seasoned director with credits including The Entertainer, Macbeth, Anna Christie, and A Streetcar Named Desire, brings his own unique vision to the production. His direction of the New York run of Tru was described as mesmerizing, and his ability to capture the truth of the character, his humor, and his heartbreak, is a key element in the success of the play.
A Personal Journey
From my perspective, this production of Tru is a personal journey for Jesse Tyler Ferguson. It is a chance for him to delve into the complexities of a character that he has already brought to life on stage, and it raises intriguing questions about the relationship between the artist and their art. Will he be able to capture the essence of Capote once again? How will the London audience respond to this intimate portrayal?
In conclusion, the London run of Tru is a must-see for theater enthusiasts. It is a captivating character study, a collaborative effort between two talented individuals, and a personal journey for the actor. It promises to be a thought-provoking and engaging experience, and it will be fascinating to see how it unfolds on the London stage.
